Music Interview: Neville Staple

Interview: Neville Staple

Mark Lamarr is quoted as saying “Everyone has four good stories, Neville Staple has the rest!” And spending time with the 2 Tone legend you can see where Lamarr is coming from.

His is a life that has involved moving to a new land (bringing his culture with him), brushes with teenage criminality and changing British popular culture in two seminal groups – The Specials and Fun Boy Three before acting as an inspirational figure for the US ska revival of the 90s. How could he not have stories to tell?

Even as our chat finishes in the backstage area of Derby’s The Venue, where Staple and his band are about to drop a bomb of pure ska joy, he launches into an explanation of his ‘friend Amy’ and how special she was to know and perform with. That Amy was, of course, Amy Winehouse who performed live with The Specials at V Festival. My recorder is off, the interview has finished but it is clear Staple could talk all night and never stop being interesting.

His dry, sarcastic Midlands humour is joyous and makes him immediately endearing as a character, so much more than a music legend on a ‘promotional run.’

Currently he is promoting a new album The Return of Judge Roughneck which straddles the history of Jamaican music from ska to dub, all with Staple’s punky edge. As with everything he has done this homage to his heritage was quite deliberate. The question posed about the genesis of the new record morphs into a short history lesson about his relationship with music.

“I grew up listening to it and I used to play it on my soundsystem. All my family in Jamaican (because I came over here when I was five), played it and I can still remember hearing it when I was there. I came to England, to Rugby, and my cousin used to have a soundsystem and straight away I went on his soundsystem with him going around Rugby, Coventry, Birmingham doing a soundsystem doing chatting, but we call it ‘chatting’ but then they turned to calling it ‘rap’. But it wasn’t rap, it started from U-Roy. What you have to remember is some of the black American’s some of their parents came from Jamaica and they came over and did the chatting, people heard it turned it into American rap.”

It is this ‘chatting’ that led to his involvement as front-man of one of the most important bands ever, The Specials. Their music, style and the label they started 2 Tone brought ska into the mainstream consciousness of Britain and changed culture forever.

“That’s how I got into the Specials, I was chatting on an instrumental record. When The Specials were playing at Crystal Palace with The Clash when they first started, I did what I used to do over the instrumental, just chatted over the track and that was it.

“A lot of people don’t know that I just chatted off the top of my head. “Bernie Rhodes knows don’t argue’ I done that just off my head. “Hey Little Rich Girl”, you know that one, that little break, I did that off the top of my head. On ‘Too Much Too Young’ that line, “Oh no, you give me no more picnic”, I just threw it in, it was off the top of my head.”

And it is an undeniable fact the Staple’s input and energy is an integral part of the fabric of the 2 Tone sound and what made it explode. Nowhere is this more apparent than live on stage where he has the reputation as one of the most energetic performers around.

This is still evident during his blinding set following our chat, the passing years means he no longer launches himself off speaker stacks but the passion, energy and charm is more than present.

“Because on stage you have the energy. On stage I feel it, on record you can’t tell. In this band I have now, we’re all in it together and you can just tell we are having fun. I didn’t get that feeling in the Specials the second time around,” explains Staple.

He is explaining his departure from The Specials reunion in late-2012, that left some people baffled. Why leave the lucrative nostalgia bandwagon?

“It’s all about earning a bit of coin. People have said ‘why don’t you just stick with it, you’ll make some money’ but if I am not enjoying, what’s the point? I’d rather be broke and be happy on stage. If you see us tonight, we’re happy on stage, it’s not like we are there for the money or the sheer hell of it we’re there because we enjoy it.”

He continues, “I left, Jerry wasn’t in it, I left after a while, then Roddy left and Brad (drummer John Bradbury) died and now there’s three and they are like ‘let’s just go through it’. Fair enough Madness does that, you can do it, but do it like you’re enjoying it. That’s all it is, that’s what the fans want to hear but put some new ones in.”

And peddling the past is not something that The Original Rudeboy is about, he is always about moving forward.

“I give them some of the old and I give them some of the new. I should have just done Neville Staple Band because you can see we are enjoying it! The early bit of it was good, yeah, but you have to enjoy yourself. Fair play to them, but, you said this, I didn’t say it, people I didn’t say it – they’ve lost that spark. The spark went out of it.”

And witnessing the current Neville Staple band, with members travelling from all over the country to bring the ska excitement, it’s easy to see he has a point. This band is nothing but ‘spark’.

His shows are an all-ages lovefest for the brilliance of ska, past and present, which really is Staples’ legacy in all this. As the music is passed down generation to generation, it means different things to different people (from the danceable beat to the social messages) he continues to be a salesman for it all.

In fact, he was front and centre of the last big explosion of ska in the 1990s, across the pond in the US when a more American ska-punk aesthetic was taking hold.

“When I was living in America for eight or nine years, No Doubt, Hepcats – all of them used to support me because I was the only one from The Specials at the time and they were looking, not up to me, but like ‘oh he was from The Specials’, so I used to get quite a few gigs and then when I came back here I did loads of gigs with my band and that’s when the reunion happened.”

And now in 2017 how is what Staple has to say still relevant? The answer is ‘in the same way it always has been’, social messages (many of which reflect the dark times we again find ourselves in) have always been woven into the fabric of his music, but never as a sermon.

 “You don’t ram it down people’s throats about what’s been happening around you. When the Specials used to do it, it wasn’t in your face and I don’t go on stage preaching, people don’t come to see you to hear ‘Donald Trump this, Donald Trump that! Margaret Thatcher!’ It’s about saying subtly that this is like.”

In our new age of austerity it is easy to see relevance in some of his biggest hits like Fun Boy Three’s ‘The Lunatics Have Taken Over The Asylum’ or the chart-topping, era-defining ‘Ghost Town’.

“’Ghost Town’ we said it’s all been closed down, we didn’t say ‘Margaret Thatcher’s closed the places down’ we didn’t come out and say it, you can make up your mind about what we are talking about.”

And it still certainly resonates today. It’s not all about the negative things, Staple has a sense of humour and a romantic heart as can be heard on new album track ‘Be Happy’. There is a sweet message hidden in the tongue-in-cheek humour.

“That’s just a jokey one. A lot of people think it’s just the beauty you see, but it’s not all that. If she’s got a good heart, she beautiful, a beautiful girl. If she’s got a good heart, it doesn’t matter. A lot of people might be like ‘oh she’s gorgeous, she’s beautiful’, it starts like that but as we go along it’s what’s in their heart.”

What is in Neville Staple’s heart is ska and he continues to bring the classic genre to life, all ways on his own terms.

As the tape recorder is turned off Christine, manager and wife, continues to explain the work that they now do in schools inspiring children with music – another layer to Staple’s devotion to positivity of ska.

With this new album out in the world and a UK tour under his belt the live-stint continues with Hong Kong, America, Spain, Argentina, Canada, Japan and ‘whatever comes up’.

With this much activity, we may find that Staple ends up stealing the other good stories off everyone as well! 

The Return of Judge Roughneck is out now and also available on all good streaming services.


Originally published by The National Student.


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